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Review
taken from NODA Magazine
The North West premier staging of the Australian version of Pirate
was given a rousing reception at Crewe's Lyceum Theatre.
I
do not recall an audience, many of whom came in appropriate fancy
dress, being so enthusiastically taken up with a performance as
they were on the final night of this spectacular production when
the fifth call for an encore of 'Cat Like Tread' caused the MD to
wave a white flag. An enviable cast list totalling 45, of whom 21
were male, speaks volumes for the interest generated by this version
of an old favourite.
The
opening scene - behind a gauze - in which well known characters
from other G & S operas were chased or carried off by pirates
set the tongue-in-cheek tone from the outset.
As the Pirate King, Steve Turnbull was superb: dare one mention
Johnny Depp in the same breath. His antics were hilarious. Missing
the boat and landing in the water, and mistiming the intended beheading
of Major-General Stanley finishing up with his own head in a bucket,
were but two of them.
The lovely Jane Johnson brought her fine voice, and a hint of mischievousness,
to the role of his daughter, Mabel, partnered magnificently by Mike
Bradley as Frederic.
In
recent months I have seen him in three different roles all performed
to critical acclaim.The part of Ruth was a gift to Sue Dodd. Every
nuance of the character was there with a raucous delivery that would
have stripped the paint of a door at twenty paces.
None the less strident was Kevin Whitfield enjoying his role as
the Pirate King's side-kick, Samuel, not a bit lie his previous
role as Trevor Gaydon in Thoroughly Modern Millie which earned his
a NODA NW nomination.
As
the Sergeant of Police, Simon Dean performed to great effect with
an athletic routine that must have been so taxing and so different
from the usual portrayal of this character, which Graham Wilks was
every inch the Modern Major-General Stanley.
In this version the Major-General has but five daughters, the Fabulettes,
and what a fabulous quintet Bethany Froud, Charlotte Platt, Linda
Race, Barbara Tomlinson and Yzzy Pearce-Higham proved to be, combining
fun and laughter with delightful singing and dancing.
The
chorus routines were impeccable with a finale to rival that of Mama
Mia!
Every
aspect of the production - music, costumes, lighting, sound, props
and staging - combined in a production that will live in the memory
for a long time to come.
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